Catherine Wagley Reviews Brett Reichman: “Better Living Through Design” on Contemporary Art Review Los Angeles (Carla)
REVIEWBrett Reichman at CB1 GalleryBy Catherine WagleyDecember 9, 2015A nude, blond man with a muscular-looking tongue is licking the rim of a mod glass vase in Brett Reichman’s painting, Gildcraft Italia Mondrian Vase (Rimming Mondrian). The painting, painstakingly...
read moreMoto Okawa Reviews Lorenzo Hurtado Segovia: “Plegarias” on ArtILikeLA
REVIEWWhat Lorenzo Hurtado Segovia Does for LoveBy Moto OkawaNovember 23, 2015In Plegarias, a collection of Lorenzo Hurtado Segovia’s new pet project of sort at CB1 Gallery, an intimate painting — appropriately hung all by itself on one wall — is most exquisite among...
read moreBrett Reichman Exhibition Reviewed on Entertainment Voice, and is a Pick of the Week in Artillery Magazine
REVIEWArt, AIDs and Domesticity in Crisis in Brett Reichman’s ‘Better Living Through Design’By Lucy TivenNovember 2015In his new solo show, “Better Living Through Design” painter Brett Reichman looks to the oft-fetishized midcentury modern aesthetic to render desire,...
read moreA Conversation with Lorenzo Hurtado Segovia, with the Cloth Paper Scissors Magazine Team
Artist Lorenzo Hurtado Segovia’s goal is to create art that is contemporary, yet deeply rooted in tradition. His work is imbued with color and symbolism. Read on to learn more about him and his art.our conversation . . .CLOTH PAPER SCISSORS: You studied to be an...
read moreMegan Abrahams Reviews Craig Taylor: “Enface” in ARTPULSE
REVIEWCRAIG TAYLOR: ENFACEBy Megan AbrahamsARTPULSE NO. 23, VOL. 6, 2015Derivative of portraits or sculptural busts, Craig Taylor's recent complex abstract paintings achieve striking visual tension through the contrast of scraped-out layered backgrounds and...
read moreThe Seattle Times’ Michael Upchurch Reviews “Art AIDS America” Exhibition Which Includes Work by Brett Reichman
REVIEWHow AIDS changed American art: Tacoma Art Museum show charts responses to the HIV crisisBy Michael UpchurchOctober 18, 2015“Arts AIDS America,” a moving new show at the Tacoma Art Museum, charts cultural responses to the HIV crisis — beginning with an artist’s...
read moreNicole Borgenicht Reviews Nathan Hayden: “Talk to the Eye” on CraveOnline
REVIEWThe “Shapes For Shadows” series comes to life in the artist's show at CB1 Gallery in Downtown Los Angeles.By Nicole BorgenichtOctober 16, 2015The abstract ceramic shapes by artist Nathan Hayden could be creatures from another planet or undiscovered breathing...
read moreMoto Okawa Reviews Lisa Adams: “America The Beautiful” on ArtILikeLA
REVIEWBeautiful Is Los AngelesBy Moto OkawaSeptember 23, 2015Given the current turbulent cultural and political climates, a title like America the Beautiful, describing the fresh body of paintings by Lisa Adams at CB1 Gallery, is at the least bold if not doggedly...
read moreUPCOMING
Lily Simonson at IGPP, San Diego
The Interdisciplinary Forum for Environmental Research presents
The Art of Conservation
November 8, 2016, 4 – 6 p.m.
Institute of Geophysics and Planetary Physic
Room 303 (Munk Room)
Featuring Lily Simonson, Green Art Labs, Magpie Collective, Squidtoons and Adi Khen.
Annelie McKenzie at Tiger Strikes Asteroid Los Angeles
The Rock Cried Out, I Can’t Hide You
November 5 – November 26, 2016
Reception: Saturday, November 5, 6 – 9 p.m.
Curated by Carl Baratta, featuring Isak Applin (New York City), Iva Gueorguieva (Los Angeles), Annelie McKenzie (Los Angeles), Dan Schank (Erie PA), Nicholas Schutzenhofer (Los Angeles/ New York City), Christopher Ulivo (Los Angeles) and Jenn Wilson (Austin Texas/ Chicago).
Mira Schor at University of Kentucky Art Museum
Mira Schor: Time & Flesh
July 30 – November 27, 2016
Lisa Adams at SMC’s Barrett Art Gallery
Collaboration
October 25 – December 3, 2016
Reception: Saturday, October 22, 6 – 8 p.m.
Art Talk in The Edye: Saturday, October 22, 5 p.m.
Curated by Kirk Pedersen from his imprint ZERO + Publishing’s roster of visionaries—featuring works ranging from street art to pop surrealism to illustration to fine art by 28 artists.
Mira Schor at Fortnight Institute, New York
DICKS
October 26 – December 4, 2016
Reception: Wednesday, October 26, 6 – 8 p.m.
Featuring work by Elizabeth Berdann, Cynthia Plaster Caster, Jesse Chapman, Aura Rosenberg, Mira Schor, Aurel Schmidt, Betty Tompkins and Nicole Wittenberg.
Mira Schor at Murray Guy Gallery, New York
Whatever moves between us also moves the world in general
November 3 – December 17, 2016
Featuring Aurdal, Hannah Black, Imogen Cunningham’s photographs of Martha Graham, N. Dash, Moyra Davey, Marley Freeman, Rosemary Mayer, Senga Nengudi, Valerie Piraino, Elena del Rivero, Marina Rosenfeld, Mira Schor, Lucy Skaer and Molly Zuckerman-Hartung.
Kevin Larmon at Elizabeth Dee Gallery, New York
Every Future Has A Price: 30 Years After Infotainment
October 29 – December 17, 2016
Reception: Saturday, October 29, 4 – 8 p.m.
The original exhibition, Infotainment, was organized by Anne Livet, in close collaboration with artists and co-founders of the gallery Nature Morte, Peter Nagy and Alan Belcher, and was a legendary intellectual appraisal of an interrelated East Village gallery scene in the 1980s. This new exhibition will include 11 original works from the Infotainment show and catalogue, shown in this context for the first time in New York, such as Rectangular Cell with Conduit by Peter Halley and Un-Color Becomes Alter Ego by Haim Steinbach, as well as an expanded checklist of more than 30 artists from the original 17.
Lisa Adams at San Jose Museum of Art
Indestructible Wonder
August 18, 2016 – January 29, 2017
Exhibition features work by Lisa Adams, Anne Appleby, Chester Arnold, Ruth Asawa, Sandow Birk, Val Britton, Edward Burtynsky, Rachel Carson, Evan Holm, Chris Jordan, Amy Kaufman, Michael Light, Danae Mattes, Richard Misrach, Nathan Redwood, Sam Richardson, Alyson Shotz, Kathryn Spence, Kirsten Stolle, Diana Thater and Gail Wight.
Timothy Nolan at Los Angeles International Airport
Like Sound Going Sideways
Terminal 7-8, Departures Hallway and Ticketing Lobby
On view through January, 2017
Main exhibition is on view for ticketed passengers in the Departures Hallway; Shine On prints on view to the public in the Ticketing Lobby.
Phung Huynh at Los Angeles Valley College Art Gallery
We Make Our Own Time
Art Department Faculty Biennial Exhibition
October 10 – February 9, 2017
Reception: Thursday, October 6, 6 – 8 p.m.
5800 Fulton Ave., Valley Glen, CA 91401
Featuring work by Merwin Belin, Carol Bishop, Jamison Carter, Phung Huynh, Walter Impert, Jason Kunke, Tom Mossman, Jenene Nagy, Katie Queen, Dennis Reed, Donna Ropp Robinson and Erica Ryan Stallones.